The city of Cádiz was chosen as the setting for Antílopez's “little farewell,” an event described by its members as a way to solidify their song legacy. For the duo, Cádiz represents an “origin” and a “launchpad” in their career, making this final concert, part of their Vida y obra tour, particularly significant in this iconic venue.

Antílopez's style, characterized by wordplay, melodies, and intellectual depth disguised as lightness, has always resonated with the region's essence. Their performances are known for constant humor and sharp social commentary, leaving no one indifferent, as was evident in this last encounter with their audience.

The two-hour concert offered no respite, musically or lyrically. The performance was filled with irony and cultural references, including allusions to other artists and the audience's own demands. The setlist was divided into two parts, one dedicated to their “legacy” and the other to what was “desired,” starting with tracks like Prefiero and Musa en paro busca poeta, and concluding with Vuélcalo to ya, leaving the Falla captivated and moved.

Among the key messages conveyed through their songs were criticisms of the current music industry, a message for youth about effort, and respect for authentic flamenco, distinguishing it from modern trends. Tracks such as Vals para ballet de panza contemporánea, Una vez visto, San nosotros, La fiebre del lodo, and Esta canción were part of what Antílopez aimed to communicate to the world.

The repertoire also included songs the duo knew their audience wanted to hear, such as Desde cero maridado con Mentira, Carta pa mi Chari, Suerte, Canción privada, Dolerá, Loco me llaman, and La gatita presumida. Although time was limited, the spoken word, stripped of music, also played a central role, leaving attendees wanting more, reminiscent of the duo's early days with just two guitars and two voices.