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Virgen del Rocío tile installed in Buenos Aires

The ceramic piece, by ceramist Javier Aguilar, is located in the emblematic Andalusian Courtyard of El Rosedal.

Tile of the Virgen del Rocío in the Andalusian Courtyard of Buenos Aires.
IA

Tile of the Virgen del Rocío in the Andalusian Courtyard of Buenos Aires.

A tile featuring the image of the Virgen del Rocío has been permanently installed in the Andalusian Courtyard of El Rosedal in Buenos Aires, marking a milestone in international Rocío devotion.

The image of Our Lady of El Rocío is now a permanent part of the landscape of Buenos Aires. The commemorative tile from the First Continental Meeting of El Rocío in America has been definitively installed in the Andalusian Courtyard of El Rosedal, an emblematic space in the Argentine capital. The placement coincides with the end of the El Rocío Pilgrimage and a few months before the next Transfer of the Virgin to Almonte.
The piece was unveiled and blessed on April 18th as part of the First Continental Meeting of El Rocío in America. The institutional event was attended by the president of the Hermandad Matriz of Almonte, Santiago Padilla; the Chief of Staff of the Government of the City of Buenos Aires, Gabriel César Sánchez Zinny; and the Secretary of Tourism, Environment, and Sports of the Argentine Nation, Daniel Scioli.
The installation of the tile is one of the most visible legacies of this meeting, which has strengthened ties among American Rocío communities and brought devotion to the White Dove closer. For several days, Buenos Aires served as a meeting point for brotherhoods, associations, Andalusian houses, and devotees from various countries across the continent, demonstrating the international dimension of this devotion.
The First Continental Meeting of El Rocío in America was established with the aim of fostering connections and keeping the devotion alive thousands of kilometers from the village of Almonte. The result was a historic gathering that highlighted how El Rocío transcends borders, serving as a manifestation of faith and culture with a growing presence in numerous American countries.
The celebration was made possible through the involvement of institutions such as the Junta de Andalucía, the Provincial Council of Huelva, the Hermandad Matriz de Almonte, the Government of the Autonomous City of Buenos Aires, and the Government of the Argentine Republic, as well as Enfoque Comunicación.
The ceramic, handcrafted and hand-painted in Puente Genil by ceramist Javier Aguilar Cejas, reproduces the image of the Virgen del Rocío using the traditional Andalusian tile technique. The work is integrated into the Andalusian Courtyard, a symbolic space for the Andalusian community in Argentina, honoring the culture and traditions of Andalusia.
Argentina is home to the largest Andalusian community outside of Spain and the most extensive network of Andalusian Houses worldwide. This tile, located in one of the most visited places in the Argentine capital, serves as a permanent reference to Rocío devotion and the historical, cultural, and spiritual bond between Andalusia and America.
The presence of the Virgen del Rocío in the heart of Buenos Aires symbolizes the strength of a tradition that crosses oceans and unites thousands of people around shared values of faith, identity, and coexistence.
With the definitive placement of this artwork, one of the most symbolic chapters of the First Continental Meeting of El Rocío in America concludes, but its main legacy remains: a more connected American Rocío community, more aware of its role. The tile in the Andalusian Courtyard stands as a permanent testament to that historic event and a symbol of a movement that continues to grow across the American continent.